The story of the Hollywood musical begins in 1927 with the release of THE JAZZ SINGER starring Al Jolson, which is ironic because it was an almost entirely silent movie, and was in fact seen in complete silence in most film theatres across America due to a total lack of sound facilities! It was nevertheless a sensation, and triggered an unseemly scramble as film studios attempted to purchase the rights to existing Broadway songs and sign up the established Broadway songwriters. Amongst those songs was the perennial Blue Skies, written by a man who to this day remains Hollywood's most succesful ever songwriter, Irving Berlin.

Early movie musicals were seen as commercial non-starters by studio executives and were often hacked to bits, causing some writers, including Jerome Kern, Richard Rodgers and Lorenz Hart to become disillusioned and return to Broadway. Nevertheless, many critics regard the Rodgers & Hart score for 1932's LOVE ME TONIGHT, which includes songs such as Isn't It Romantic and Lover, to be the genre's first masterpiece. The following year saw the release of FORTY-SECOND STREET, propelled to success by the lavish choreography of Busby Berkeley and four songs from the much underrated Harry Warren and Al Dubin. In just over three years Hollywood had come a long way from the pioneering but amateurish THE BROADWAY MELODY, the first movie musical to have songs written specifically for it.

Hollywood gave a new lease of life to many tired Broadway musicals, often in a much truncated form, and further impetus by the Fred Astaire/Gingers Rogers dance phenomenon. These two took the film musical to new heights, culminating in their unforgettable routine to Berlin's Cheek To Cheek in the 1935 movie TOP HAT. The 1930's also saw the first full-length animated film musical, the 1937 production SNOW WHITE AND THE SEVEN DWARFS, beginning the Disney Studio's 40-year dominance of the genre.

Hollywood musicals continued to provide the setting for many memorable original songs right through to the late 1950's, probably the most famous being Harold Arlen's 1939 classic Over The Rainbow from THE WIZARD OF OZ. But a mere 30 years after it's tentative beginnings Elvis's rendition of Lieber & Stoller's Jailhouse Rock effectively brought to a close what many regard as the Golden Age of the American musical. Throughout the 1960's and 70's the Hollywood musical retreated in the face of the armies of rock & roll, scoring isolated triumphs such as Henry Mancini's Moon River from the 1961 classic BREAKFAST AT TIFFANY'S and the Sherman brothers' scores for MARY POPPINS and THE JUNGLE BOOK .

A revival of the animated musical in the 1980's and 90's proved to be fairly short-lived, and the growth of the 'jukebox' musical and the musical biopic on Broadway in the 21st century has been mirrored in the movie musical. LA LA LAND broke away from the trend in 2016 in a conscious effort to revive the Golden Age musical and give it a modern take, Justin Hurwitz's score showing that quality original songwriting for this genre is alive and well, though perhaps not flourishing.

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